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The Czech and Slovak Republics have existed independently since What were the key moments in Czech-Slovak music history, what are the pluses and minuses of both music scenes? ALEX: That is a difficult question.

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Of course, there were the formative moments in the s and s, artists like Dežo Ursiny, the rock and jazz generations, the alternative music of Collegium Musicum. That record exploded in Slovakia and in the Czech Republic.

It is interesting that Moruša contained seven, eight minute long, very complex compositions with a unique approach to songwriting and with Slavic, particularly Slovak, melodies. Speaking to music journalists, the album seemed really important to us in the sense of performance, that is to say if you feel passionate about something and you do things in a way that you believe, you can be successful with something even as complex as the Moruša project.

Since regioleague suisse anti aging moment the Slovak alternative scene began to take off relatively quickly, it was a motivational force for Slovak artists who could see that with that kind of music they regioleague suisse anti aging suisse anti aging achieve something. Of course, there is a  connection with a big name, such as Jana Kirchner who brings in so much music history.

Do you reckon that thanks to this album the Slovak scene became more attractive abroad? Is it also due to Eddie Stevens? ALEX: Maybe yes. If you go to a Jana Kirchner concert, they do things like Regioleague suisse anti aging empties a bag full of tennis balls into the open top of a concert piano. Now he has started working with other Slovak artists too. Sure all this did not happen overnight, it takes time. Do you have any such moment regioleague suisse anti aging mind? To me, it was a very important message, not only politically, but also the fact that a Canadian guy living in Prague could put together such a gigantic concert.

It very clearly stated that the market was open.

Then I have memories about coming here with Hungarian bands. We could name those who opened the door and showed us how strong the local scene was, people like Iva Bittová or Jiří Stivín.

When Sunshine grew, aroundwe asked ourselves maska​​ proti stárnutí červeného světla to look at the whole regionhow to develop it, how to co-operate locally.

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Nowadays, it is down to a number of smaller details — I am totally amazed by people from all over the world, who move to and fro and try to fit in and boost the local scene, not for the sake of their careers but because they want to do it. They both support independence, freedom and creative thinking in music. I also think they were the driving mechanism, which helped regioleague suisse anti aging and other projects to be so strong.

Is it possible to detect the split between the Czech and Slovak Republics in our music scenes? Some people may disagree with me, but I agree with what Mišo Kaščák said, that in a way it is a pity that the two countries separated.

As regioleague suisse anti aging the music scene, my ALEX: feeling is that no split ever happened.

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The are so many interconnections and circumstances that it seems to me we are one country. I also regioleague suisse anti aging for the Slovak label Slnko Records and we always feel so well received in the Czech Republic, by the media, the festivals and the business people.

And I think it works the same way the other way round, for the Czechs in Slovakia. Not everything works the exactly same in both countries. What works in the Czech Republic may not work in Slovakia, but apart from that I see no major differences. I am glad the bonds are still strong and I hope they will stay that way and that moments like the Regioleague suisse anti aging Focus may further reinforce these ties. I watched local events from a  distance but I  can imagine that as a fifteen year old boy I would have felt sorry about the separation, although I understand the national question and local patriotism.

But how can you completely separate two cultures that are so closely intertwined? If I  look at Belgium, with two languages and two totally different cultures, getting a Flemish band to the French area is not easy, they even have two export agencies. The Czechoslovak scene is far more interconnected. It is obvious the Slovak bands have no problem with playing in the Czech Republic, yet bigger media support would not be amiss. Moreover, there is a new generation just coming of age that makes me quite regioleague suisse anti aging.

Otakar Hromádko

I am interested in the opinions of people who are years younger, their way of looking at things. They are not hampered by history. If you come from a smaller Slovak town then you want to go first to Bratislava, then to Brno or Prague.

It does not work the same in the opposite direction for the Czechs, it is first to Prague, then abroad. Economic factors play a key role here.

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Of course, we all would regioleague suisse anti aging to have music at the very top of our career list and do it like at Longital where they decided to work only in music and to make it work.

After all, we regioleague suisse anti aging have to look at ourselves. We all take on twenty jobs and projects in order to survive. In the long term, the idea of working daily for twenty hours makes you go crazy. We would like to change all that. Furthermore, until we get full time artists, managers and all the people that go with it — PR, agents, and the like.

Which is not necessarily a bad thing. When Ruud Berends did Sharpe he said it was amazing, like the Eurosonic Noorderslag twenty five years ago. I  think regioleague suisse anti aging hit the nail on the head.

Unfortunately, or fortunately, this is where we are at the moment and it is important to regioleague suisse anti aging enthusiastic and strive for further growth. Because you cannot go on working like this long term.

MÁRTON: Here we have a long history list of truly brilliant and well-known musicians who became successful all over the world. Many of them are sought after as studio musicians from England to America.

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The drawback here is the fragmentation of the scene which, for the moment, cannot speak for itself. This should start already at school, how to build infrastructure for bands and to generate various programs. But the most important thing is the professionalization of the scene.

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Recently, I had a discussion with a colleague from abroad who said to me that he went to see so many good bands and looking at them it was clear to him that they did not believe they could get a break. They were standing on stage with their heads down. They lack confidence and courage.

You have to believe in what you are doing and music is a good example because it comes from deep inside. To lack confidence is wrong. I know it from my own experience. It is difficult to judge the moment when you move up a notch and get to a higher level.

You keep having doubts even though you have already made it to a higher level. And that is what I would really like to work on. How do you see the current Czech and Slovak scene? What we have in common is a number of experimental and bold projects that are not scared to push the frontiers. The Slovak scene is very lively. Of the bands that really impressed me, the first example is Polemic who always make me laugh and make my heart sing.

They have a quarter of a century long history in regioleague suisse anti aging field of dub and reggae. Whenever I see them I am amazed at the amount of their hard work and professionalism. Then there regioleague suisse anti aging the Chiki Liki-tu-a and younger bands like Diego. I also love the music by Jimmy Pé. Personally, I am a big fan of the Brno scene which was strong in the past and still is.

The present names like 1flfsoap or Acute Dose belong to my favourites.

Of all the festivals we rate highly the programming by the Beseda u Bigbítu festival. The Czech scene does not have to worry about its future. Is there a any model of a foreign music scene or export agency that is worth following?

We have to check out all the possibilities and deal with the challenges. The Czech Fresh program is one such regioleague suisse anti aging.

We have to evaluate what works and what does not. After all, most regioleague suisse anti aging the export agencies work exactly like that. It would be great to have full awareness of what goes on in regioleague suisse anti aging Czech music scene and also to have the first artists who really make it abroad and to help others to make it, too.

As for how the domestic scene works — I would like to see a general program that financially supports the scene. There are several projects we would like to have. One of them is the exchange of professionals, including professional evaluators since one of the main hurdles is the lack of reliable info about the scenes in other countries. Our Belgian colleagues began to build a database to share professionals who are fully knowledgeable about their local scene and who can work as advisors in other countries.

Humanly, we are a good match but the main thing is that their work is very good, professionally and conceptually. Several of their projects — especially mentoring and recruiting new faces to the music business — are a great inspiration to us. If they prefer pop or dance music then Mydy Rabycad and Thom Artway. But I think it is also good to mention projects that do not get to play at Eurosonic — Jan P.

To us, it looks like a healthy and colourful mix of genres of new faces and more experienced ensembles.

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Our recommendation is to see them all. Which albums would you describe as essential from your country? From the recent crop, a very important album is also "Hrana" Edge by Marek Brezovsky, although I  dare not predict how foreigners will react to him. From the recent production it is imperative to listen to the albums of artists who play at the ESNS. Getting a general idea is a good start.

When his father died in in World War I, the family mother, grandparents and Otakar with 3 siblings moved to town Německý Brod. In he was arrested and imprisoned as a leader of a group of students that painted anti-war slogans his anti-militarism can be traced back to loss of his father and to the influence of his mother and grandfather Kadleček on a church in Německý Brod. He was subsequently excluded from the university in Brno. In the following years, he focused fully on communist activity. He was also the regioleague suisse anti aging of Rudé právothe official newspaper of the Communist Party of Czechoslovakia, and of journal Jednota.

Actually, it was an experiment olivier Magnin suisse proti stárnutí from the start and I did not expect it would get such a response.

And it was no empty waffle. The first Czech-made Cristal Baschet instrument was the result of a collaboration with the Spanish constructor and musician Martí Ruids.